Description:
Acquire basic knowledge about thecolor correction; its principles, the work methodology and the editing tools.
Type Subject
Tercer - Obligatoria
Semester
Second
Course
3
Credits
3.00
Titular Professors
Professor
Professors
Previous Knowledge:
Objectives:
The subject is divided into two parts:
Editing, where the objectives are to learn the theory and practice of audio-visual editing.
Color, where students work on color correctio, theoretically and practically.
Contents:
EDITION (PREMIERE)
Browser, viewer, canvas, timeline.
Preferences and shortcuts
Intake and classification
Create a project with the necessary adjustments
Import material
Classify material into the software
Rough assembly
Mounting in photos
Create sequence
Common video effects
Transitions
Animation
Video editing
View, mark and create subclips
Insert and overwrite
Markers
Three-point edition
Sound techniques
Graphics and text
Workflows between software: XML, OMF, EDL and sequences.
Proxies (work online and offline)
Synchro automatic and sincro with markers.
Effects, what are and how they apply. Utilities.
Brief introduction to Lumetri Color and Lumetri areas.
COLOR (DAVINCI)
What is it and what is the color correction used for?
The principles and methodology of color correction.
The basic concepts of color correction.
Know how to interpret the scopes
The conformed
Da Vinci's interface Resolve, description and configuration. The five spaces of
work
Database, system and user preferences.
Project settings.
Understand nodes
Soft curve
Secondary corrections.
Working with groups.
Local and remote versions.
Working with raw files.
Open FX.
Luts.
Export projects.
Relink
Methodology:
Evaluation:
Evaluation Criteria:
Basic Bibliography:
Technique of Film Editing, Karel Reisz
El montaje cinematográfico: Teoría y análisis,Vicente Sanchez -. Biosca
El color y las formas en el montaje cinematográfico, Ethiel Cervera Díaz Lombard
Manual de montaje: Gramática del montaje cinematográfico. Roy Thompson
Additional Material: