Titular Professors
Professors
It is required that the student has drawing skills to express his/her ideas and to explain them graphically.
3. Skills to be developed through the course
The course is the first exposure of the students to the design process, and they have to complete it with a sound knowledge of what a project means, and dominate the basic tools to develop it. In order to learn the meaning of design, they will start to understand that architecture is a formal invention based on the knowledge of the original conditions and of the techniques that make it possible to be constructed.
During the course the students will be introduced to theories of form, composition tools and building typologies that will help them to obtain a first knowledge of concepts to be developed in the design studios of the following years. Those concepts are:
synthesis, basic design, working drawings, building guidelines and codes, with special attention to environmental problems and the need to design energy-efficient buildings
General abilities
Instrumental:
-Basic knowledge in the field of study
-Analyzing ant synthesizing
-Planning and organizational skills
-Ability to manage information from different sources.
-Problem-solving in the architectural field
-Decision-making in the design process
Interpersonal
-Criticism and self-criticism skills
-Team work
-Environmental awareness
System
-Learning abilities
-Ability to generate new ideas
-Ability to work autonomously
-Project design and management
Specific abilities
A1-Architectural and urban design project
A4-Function programming
A7-Spatial representation
A8-Architectural criticism
A13-Open space design
Knowledge on:
B3-Culture sociology
B4-Formal analysis
B5-Representation systems
B7-Geometry
B9-Architecture theory
4. Objectives
Firstly, to equip students with the skills that they will need to represent any idea or proposal: drawing in plans and perspective, and modelling.
On the other hand, the students have to familiarize themselves with, and understand all the elements that architecture uses, namely elements as structures, walls, roofs etc... and learn that construction is the science that shows how to relate materials through techniques to build a project.
It is important to assume that any proposal transforms an existing situation, and therefore topography, climate, environmental issues of the site will influence the final shape of the intervention, to accommodate the needs of the project and the given conditions.
The course also tries to explain that architecture is plural and has to deal with cultural backgrounds. For this purpose the student will have to analyze different architectures.
According to the required curricula, the students will accomplish the following objectives on this course:
- Ability to design architectural projects that will satisfy aesthetic and technical requirements.
- Understanding the relationships between people and buildings, and between those and the environment, in a way that buildings relate to the spaces in between and both to the human scale and needs
5. Contents
The course is a design studio in which students work and revise their proposals in the classroom: it is a practical subject.
The exercises consist of:
- First observation and drawing: deducting proportions from a photographic view from a building exterior or interior.
- Analysis and drawing of the disposition of a building and the elements of its construction.
- Exercises of transformation and enlargement of existing buildings.
- Exercises in which the site conditions are given as a starting point, so that students are committed to respecting, facing real problems in parallel to form or other aesthetic considerations.
Committees or juries are considered as lectures or theoretical parts of the subject and through them students have to think about design decisions.
6. Methodology
The subject is a prototype of learning by doing methodology, applied in the analysis as well as in the design exercises. The first exercises are concrete and very limited but they become more and more open and complex as the course advances.
Students gather in groups of a maximum of twenty people, each of them conducted by a teacher. They are given an exercise, a debate is conducted about similar situations and questions arise about which orientation should be given to the work and the purpose to achieve. Once the student has started to work, the teacher debates the proposal and recommends and guides the student in his/her development of the project.
Dedication
Subject dedication 11,5 ECTS * 25 hours/credit = 287,5 hours
Annual dedication 34 weeks (30 classes + 4 evaluation)
Weekly dedication 8,45 hours/week
Total dedication:
-Lectures 6 hours
-Workshop 96 hours
-Homework 136,5 hours
-Juries 20 hours
-Aula BCN 29 hours
7. Marking: Evaluation of accomplishment
For the evaluation of the student work, the teachers will take into account the ability or the student to respond to the given problem to solve it, the reflection on the data, the ability to conduct the work and the ability to develop it.
Personal implication and design presentation is taken into account.
The student skills and knowledge are evaluated through the following work and submissions:
A1, B4, B9 Home and school work as well as individual and team work
Team analysis of buildings
A4, A13, B3 Projects
A7, B5 Presentations
B7 Corrections
A8 Jury
The teachers will take into account the ability or the student to respond to the given problem to solve it, the reflection on the data, the ability to organize, conduct, develop the work and represent it.
Assistance to classes is fundamental to follow the course.
Criteria for the evaluation of the observation and representation exercises:
OBSERVATION&ANALYSIS (20%)
-comprehension
DEFINITION (40%)
-proportions/relationships among parts
-details
-materialization/construction
PRESENTATION (30%)
-clarity of the drawing
-composition
IMPLICATION
-explanation
-assistance
Criteria for the evaluation of the analysis exercises:
INITIAL ANALYSIS (20%)
-graphic historical documentation
-site plan
THOROUGH ANALYSIS (40%)
-concept and evolution
-program display
-structure/ materialization/ construction
REPRESENTATION (30%)
-graphic representation
-models
IMPLICATION (10%)
-explanation
-participation and assistance
Criteria for the evaluation of the design proposal exercises:
ANALYSIS AND APPROACH (20%):
-Environment
-Objectives and approach
PROJECT DEVELOPMENT (40%)
-Evolution of the concept
-Adaptation of the programme
-materialization/ structure/ construction
PRESENTATION (30%):
-Graphic Presentation
-Models
IMPLICATION (10%)
-Explanation
-Participation and assistance
A text
Blake, P. Masters of Modern Architecture
Giedion, S. Space, Time, Architecture
Gombrich, E. Art History
Zevi, B. Looking at Architecture
Siza, A. Conversaciones con Valdemar
Summerson, J. Classical Language in Architecture